Piano removals across Manchester and the surrounding towns, uprights and grands.
Weight is the obvious part and it is not the difficult part.
A piano is difficult because of where the weight is. Most of it sits in the cast iron frame and the strings, high up and toward the back on an upright, low and toward the keyboard on a grand. It is not distributed like a wardrobe. It does not tip like a wardrobe either, and it does not recover if it starts to.
Then there are the details that catch people out:
The small wheels on an upright are for adjusting position on a level floor by a few inches. They are not designed to roll a piano across a room, and certainly not over a threshold. Plenty of damage to floors, and to pianos, comes from someone trying.
A knock that would leave a scuff on a sideboard can knock a piano out of regulation, which is the mechanical adjustment of the action. That is not visible damage. It is the piano playing differently afterwards.
A small upright can be heavier than a big one. Two pianos that look identical from the front can differ by a hundred kilos.
Approximate industry ranges, and worth knowing before you ask anybody to help you shift one:
Small or apartment upright
140 to 200 kg
Standard upright
200 to 270 kg
Large or overstrung upright
270 to 350 kg
Baby grand
230 to 320 kg
Medium grand
300 to 400 kg
Concert grand
450 kg and up
For comparison, a full-size American fridge is around 130 kg. So the smallest upright is heavier than the heaviest thing most people have ever moved, and a medium grand is more than double it.
This is the main reason piano moves are quoted separately rather than counted as one item among many.
It does not go on its back, and it does not go on its side. The internal action is built around gravity acting in one direction, and turning it changes the load on parts that were not designed for it. The practical constraints are the doorway and the staircase: an upright is deep front to back, which is what makes tight turns awkward, and it is top-heavy once it starts to tilt.
A grand is a different proposition entirely. The instrument travels on its bass side rather than upright, which is how a grand fits through doors it could never pass through otherwise. That means a grand move is partly a dismantling job, and it needs planning rather than improvising.
Most weigh between 20 and 80 kg, many separate from their stand, and they travel like heavy electronics rather than like an instrument. If yours is digital, say so, because it changes the job completely.
Almost always the route, not the piano.
None of that is unusual information. It is just the information that actually determines the job, and it is worth having ready when you get in touch rather than working it out on the phone.
For a piano, the useful details are specific:
If you can send a photograph of the piano and of the route out, that is more useful than any description.
Tell us whether it is an upright, a grand or a digital, the make and model if you can find it, and the floors at both ends.
This surprises people, so it is worth saying plainly. A piano needs tuning after it is moved. Every time, regardless of how carefully.
That is not about handling. It is about the instrument. A piano holds roughly twenty tonnes of combined string tension across a wooden soundboard, and that assembly responds to changes in temperature and humidity. Moving a piano between two buildings means moving it between two climates.
Two pieces of standard advice from the piano trade:
Wait before you tune it. Most technicians suggest leaving the piano two to four weeks in its new home so it can settle to the temperature and humidity there. Tuning it the day after tends to mean tuning it again shortly afterwards.
Think about where it goes before it arrives. Not against an exterior wall if that can be avoided, not next to a radiator, not in direct sun, not beside a frequently opened external door. Decide the spot before the day, because a piano is not something to reposition on a whim afterwards.
We are removals contractors, not piano technicians, so we do not tune. Any decent local technician will, and it is worth booking one for a few weeks after the move rather than leaving it.
Worth its own section, because it comes up constantly and the answer is not obvious.
The lift is the first question, not the stairs. If there is a lift, the questions are whether the piano fits inside it, whether it can be booked, and whether the building permits it to be used for moves. Many managed blocks restrict lift use for removals to certain hours.
If there is no lift, the staircase becomes the whole job, and the number that matters is not the number of floors but the turns. A straight flight to a second floor can be more workable than a tight turn to a first.
Communal doors and corridors are often narrower than the flat’s own doors, and there may be fire doors that close automatically and cannot simply be propped.
Tell us the building when you get in touch. Blocks have their own arrangements and it is easier to establish those in advance than on a Saturday morning.
A good share of piano jobs are not house moves at all. Somebody has bought one, or sold one, and it needs to get from one address to another.
If you are buying, ask the seller for the make, the model, and photographs of the piano and the route out of the property. Ask which floor it is on and whether there are steps at the entrance. Those four answers are what determine whether the collection is straightforward.
If you are selling, having that information ready makes your piano easier to buy. A buyer who cannot find out whether it can be got out of the room is a buyer who hesitates.
If it is being delivered to a room it has to reach, decide the final position before the day. A piano is not something to shuffle around afterwards while you make up your mind.
Occasionally the answer is that a piano cannot reach the room it is meant to reach. It is uncommon, and it is far better to establish it before anybody has paid for anything.
The usual causes are a staircase with a tight turn and no headroom above it, a doorway that has been narrowed since the piano arrived, or a communal entrance that will not accommodate the depth of an upright.
There are normally three possibilities: a different route through the property, a different room, or accepting that this particular instrument and this particular property do not go together. All three are easier to face in advance than on the day, which is why route information matters more than almost anything else at quote stage.
This is the one piece of advice on this page that is genuinely about safety rather than convenience.
Piano injuries are usually crush injuries, and they usually happen on stairs, and they usually happen to someone who was helping as a favour. The weight is enough that if it starts to go, it is not stoppable by hand.
If you are weighing up whether to get help with it: an upright is heavier than any single object in most houses, its weight is high up, and its wheels do not roll where you want them to.
We have standard services and for most piano jobs one of them is the simplest way to book: a piano on its own, or a piano as part of a house move.
Some do not fit. A piano going into storage while a room is decorated. A piano collected from one address and delivered to a second on a different day. A piano moving within a building rather than between two. A piano being collected from a seller you have bought it from.
Say so and we will tell you what can be arranged around it.
The quickest route is the form. Give us the outline, we will call you, and pianos usually warrant a proper conversation rather than a quick quote.
Tell us the number of steps, whether the flight turns, and the doorway widths at both ends, and we will talk it through before quoting.
Yes, on a grand the legs and the pedal lyre are designed to be removed, which is how a grand gets through doors it would never otherwise pass.
No. Uprights stay upright.
Uprights are roughly 140 to 350 kg depending on size, baby grands 230 to 320 kg, larger grands more. The make and model tells us more than a description.
Yes, always, and most technicians suggest waiting two to four weeks so it can settle in the new climate first. We do not tune, so a local technician is the person to book.
Yes, and it is a much simpler job. Say if yours is digital, because it changes everything about the quote.
Tell us the rooms and the route and we will let you know.
Tell us how long for and we will talk through what is sensible, because a piano and a storage environment need thinking about together.
Tell us whether it is an upright, a grand or a digital, the make and model if you can find it, the floors at both ends, and anything you already know about the route. Photographs help more than descriptions.
RCM Removals
20 Swan Street, Manchester M4 5JW
Telephone: 0161 768 2056
Email: info@removalscompanymanchester.co.uk